The actor is the quintessence of
smooth, first as Remington Steele, then James Bond. He talks about grief after
his daughter Charlotte’s death, mortality, and playing the action hero.
Bluntly put, there is not much
good to be said about Pierce Brosnan’s new film. A Long Way Down, out on
limited release July 11, also stars Toni Collette, Imogen Poots, and Aaron Paul
from Breaking Bad, and it’s about a quartet of people who meet one night as
they prepare to commit suicide by jumping from a building in London. Except
they don’t, and they form some kind of pact to support each other in embracing
life.
The film, adapted from Nick
Hornby’s novel of the same name, is a cacophonous jangle of wrong, from the
glibness of the script to the treatment of suicide and suicidal impulses, to even
what led these people to consider taking their own lives. What might have made
for plausible dark melancholy, a gallows mordancy, on the page translates on to
the big screen as wincing farce. You simply don’t buy into its weird,
inappropriate breeziness. And, crucially, you don’t understand this group. The
critics have not been kind, with The Guardian calling A Long Way Down “fantastically unconvincing.”
Still, the actors do their best,
especially Brosnan and Collette.
The Daily Beast meets the charming,
extremely handsome Brosnan in a New York hotel suite. He is wearing a navy
jacket, slim-fit jeans, a crisp white shirt, and a snazzy pair of blue suede
shoes.
Brosnan, 61, has a close-clipped
beard, and tufty salt and pepper hair. He was born in Ireland (his accent is a
soft meeting of Californian and Irish lilts) and became famous first as ’80s TV
detective Remington Steele. Global fame beckoned when he debuted as Brit master
spy James Bond, for four movies, in 1995. His other films include Mrs. Doubtfire,
Mamma Mia, and The Thomas Crown Affair.
With us, he talked about the
critical drubbing received by A Long Way Down, as well as playing Bond, the
trend of older actors in action movies, and the tragedy of losing his
41-year-old adopted daughter, Charlotte, in June last year to ovarian cancer,
the same disease that killed his first wife and Charlotte’s mother, Cassandra,
in 1991, when she was 43.
Brosnan has seven films coming
up, including The Love Punch, with Emma Thompson, The Coup, with Owen Wilson,
and The Moon and the Sun, playing Louis XIV.
Those are pretty fabulous blue
suede shoes.
Thanks, I had to buy them when I
saw them.
You don’t live in New York?
No, I live in California. I’ve
lived there for 30 years. I went there for two weeks and stayed a lifetime.
It’s the longest two weeks of my life. I live between there and Hawaii. I can
hear everyone back in London saying, “Oooh, yeah, you fucking sod. Lucky
bugger. Bugger off.”
Suicide is a difficult theme to
tackle. Were you concerned about getting it right and playing it right?
I’m very confident that Nick
Hornby always gets it right as a writer. He has the vernacular and passion. He
is adroit and dry, and balances humor with the humanity of life. I was
confident we would tonally hit a high mark. When you see on the page one man
trying to get a ladder into an elevator to go and commit suicide, that has a
certain tonality of humor which lends itself to the rest of the piece. It’s
really about the resilience and vulnerability of these people—two key words to
people who find themselves desperate and mangled by their circumstances.
Have you ever felt like that?
No, thank god, not ever. I’ve
certainly felt the hardship of life on many occasions, but not to the point of
desperation that I want to throw myself under a bus or off a building. I
thought the film had a great heartbeat of hope and passion for life, and they
save each other, they become their own survival raft, their own saviors.
The critics’ response has not
been kind. Does that bother you?
I don’t read any of them: good,
bad, or indifferent. I used to devour everything. I would find myself on the
floor just diminished to a pulp by some harsh words aimed at my performance,
and if they said great things, it was very hard to hold on to those with any
sense of reality. If they think you’re great, it only lasts so long. I heard
they were very harsh to us. Fuck ’em, move on. Really, I love the film. It has
its own heartbeat and a sincerity and entertainment value, and is quite
uplifting. What do they say, anyway?
“It’s important to have faith,
it’s essential to have faith. Cancer is the most pernicious, insidious,
disgusting disease of life.”
Well, you heard they were harsh.
Do you really want to do this?
(Laughs) No, no. You always hope
for success and glory, you wish for everyone involved in the film to come out
smelling of roses…but that’s just the way the dice fall in this capricious
game.
You have a big action film coming
up next, The November Man. Is it fun blowing things up?
We got away with it greatly on
the streets of Belgrade, Serbia, and Montenegro. I think there’s been enough
time between my James Bond and this…I thought it was worth investigating.
There’s a whole bunch of older
action stars doing these films now.
Yes, if you have courage, desire,
and gumption to do it, why not? Sylvester Stallone has done the guys proud with
The Expendables, which they’ve asked me to be part of.
Will you?
Sure, if the script is good. It’s
fun.
Did you miss being James Bond?
It was 10 years of my life, a
decade of time in my career which was exhilarating and very rewarding, and it’s
the gift that keeps giving, in the sense of “Once a Bond, always a Bond.” And
it allows you to travel the world and enjoy life as this character.
He is far-reaching in his
persona, and once you embrace that you can have great fun with it. I don’t miss
it. I knew there would be work to be done if I got it right and made a mark on
the page. I knew the work to be done would be not so much to distance myself
from it, but to find another path to create other characters, so the audience
could see me just as an actor. I don’t know if I achieved that or not, but I
try not to get hung up about it.
Is there a secret brotherhood of
Bonds?
I think there’s mutual respect
and interconnectedness, but I don’t pick up the phone and speak to Sean
[Connery]. I’ve met him once in my life. Daniel [Craig] is the one I had most
rapport with, because we were ships passing. We sat and talked back in the day
before he entered the stage with his magnificent portrayal as Bond.
And emerging out of the sea in
those trunks?
Hahaha. An iconic moment. Yeah, I
didn’t do that. That was not my style.
You’re in wonderful shape.
I work out, I paddleboard, play
tennis, I chip away, trying to keep up.
Was turning 60 a big deal?
Turning 60 had an impact on my
heart and soul, I must say, because you’re dealing with time: past, present,
and future. You suddenly realize you’ve come down the road quite a ways. I
embrace it with energy and passion. In the last two years, I’ve made seven
movies. It wasn’t a conscious choice, just the way the cards fell.
Do you think about your own
mortality?
Well, I’ve always thought about
it, actually. I suppose being Irish, Catholic, being an actor, reading the
history and literature of life, playing characters, how can you not investigate
and interrogate your own space and time on the planet? It’s good to contemplate
one’s time in life, and the passing of your own earthly being. I find the
Buddhists doing it. Before they go to bed, they turn a cup upside down, to show
they have no expectations for tomorrow and always gratitude.
Is Buddhism a faith of yours?
Has Buddhism helped with your
grief around your daughter’s death?
It all helps, it’s important to
have faith, it’s essential to have faith. Cancer is the most pernicious,
insidious, disgusting disease of life. Yesterday was the first anniversary of
Charlotte’s passing. Far too young. But there are younger still that go. But
you just have to have faith and strength and courage to embrace the day.
Somehow out of all that pain there is a beauty in it.
And both she and her mother died
of ovarian cancer?
Shocking, isn’t it? She really
struggled and fought hard and gloriously, always for us all around. She wanted
us not to be in pain for her…Charlotte Emily. Gorgeous girl.
You have seven movies coming up.
Are you a workaholic?
It just appears that. I like what
my drama teacher called “action and recovery,” and so I like being idle and
just painting, and sitting and doing nothing but looking at the waves.
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